Search results for " codicology"

showing 6 items of 6 documents

Epimetrum de Hermiae codicibus

2013

manuscripts codicology
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Salmos 32 : 11-36:7 y 78:25-81:2: nuevos fragmentos de la Biblia castellana romanceada del monasterio de Santa María de la Sisla

2018

The study of archival collections from medieval religious orders has made it possible to locate a second fragment of a medieval Spanish Bible, from the Hieronymian monastery of Santa Maria de la Sisla (Toledo). It is a bifolia from the book of Psalms that belonged to the same codex as the recently identified Ezekiel fragment (=S1). In this article the finding is reported, the liber tradens is described, specifying its meaning and value to ensure monastery rents, the fragments that it transmits are given: part of a bifolia in parchment of the s. XIII and biblical bifolia that serves as cover, focusing especially on the description of this second fragment (= S2). Next, the relationships betwe…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryLiterature and Literary TheoryParchmentmedia_common.quotation_subjectCrítica textualArtCodicologiaVersions (Bible)TraduccionsVersions (Bíblia)Manuscrits medievals:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Medieval manuscriptsTextual criticismCodicologyTranslationsTextual criticismMedieval Spanish Bible translations; translations; fragments; textual criticism; codicology; Hieronymites; Santa María de la Sisla monasteryCodicologyHumanitiesmedia_common
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SIGNA VETUSTA MANENT: LE MACULATURAE, IL TABULARIO, I DISEGNI DI PROGETTO RITROVATI (SECC. XII – XVIII)

2014

Cartography Musicology Art History Codicology Embroidery Embroidered Textiles Cartographic History Book History (History) Medieval illuminated manuscripts History of EmbroiderySettore L-ART/04 - Museologia E Critica Artistica E Del RestauroStoria Delle Biblioteche Arte moderna e contemporanea scultura grafica storia del disegno stampe oreficeriaCartografia STORIA DELL'ARTE Piazza Armerina Madonna Delle Vittorie Miniatura medievale arte in Sicilia Storia della musica ManoscrittiCodicologia
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L'edizione critica digitale. La critica del testo nella storia della tradizione

2019

The traditional output of philological work aiming at the constitutio textus is the print critical edition with apparatus footnotes showing select variant readings. The digital scholarly edition, instead, is not constrained by the space limits of the printed page, so it can encode and visualize synoptically many versions of a text, as found in different textual witnesses. This opportunity has often been exploited by New Philology editions, in which textual versions are juxtaposed without any attempt to reconstruct an "original" text. However, the digital critical edition can constitute a "third way" between constitutio textus and New Philology: the digital editor can provide different versi…

Humanities Computing (Digital Humanities) Classics Digital Humanities Manuscript Studies Philology Codicology Critical Edition Critical editions Critical edition Digital philology Digital Editions Critical Editing Computational and Digital Philology Digital Critical Editions Digital Scholarly Editionsphilologydigital editionscritical editingcodicologySettore L-FIL-LET/05 - Filologia ClassicaSettore L-FIL-LET/04 - Lingua E Letteratura Latinacritical editionhumanities computing (digital humanities)digital philologydigital scholarly editionsdigital critical editionsdigital humanitieshumanities computing (digital humanities); classics; digital humanities; manuscript studies; philology; codicology; critical edition; critical edition; digital philology; digital editions; critical editing; computational and digital philology; digital critical editions; digital scholarly editionsclassicsmanuscript studiescomputational and digital philology
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El manuscrito del 'Cancionero de Baena' (PN1) : Descripción codicológica y evolución histórica

2018

The present article attempts to establish as accurately as possible the chronological trajectory of the unique codex of the Cancionero de Baena (PN1 in the Dutton nomenclature). It begins with a detailed examination of the codicological aspects of the manuscript, which serve to date its origin to around 1465. This origin, combined with the historical data, supports a conjecture that the manuscript probably belonged to Gonzalo de Beteta, an official of both Enrique IV and the Catholic Kings. It would have passed from him to his grandson, Jorge de Beteta y Cardenas, who gave it to the Real Biblioteca de El Escorial in 1576. The article then follows the vicissitudes of the manuscript from its …

HistoryLiterature and Literary Theorybookbindermedia_common.quotation_subjectbooksellerPalaeographyPedro SalvaJorge de Beteta y CardenasCodicologycancionero poetryRichard Hebermedia_commonMedieval Spanish literatureGonzalo de Beteta; Jorge de Beteta y Cárdenas; José Antonio Conde; George Ticknor; Pedro Salvá bookseller; Robert Evans bookseller; Charles Lewis bookbinder; Richard Heber bibliophile; El Escorial; codicologyUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASMedieval Spanish literatureJose Antonio CondeGeorge TicknorArtcodicologybibliophilePN1Charles LewisEl EscorialGonzalo de Beteta:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Robert EvansHumanities
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SIGNA VETUSTA MANENT. Interventi di conservazione e restauro su materiale codicologico musicologico archivistico e librario dei secoli XII - XVIII (2…

2014

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroStoria Delle Biblioteche Arte moderna e contemporanea scultura grafica storia del disegno stampe OreficeriaPiazza Armerina Madonna Delle Vittorie Miniatura medievale arte in Sicilia Storia della musica ManoscrittiCodicologiaCartography Musicology Art History Codicology Embroidery Embroidered Textiles Cartographic History Book History (History) Medieval illuminated manuscripts History of Embroidery Piazza Armerina Madonna Delle Vittorie
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